Wednesday, May 6, 2020

The Philosophy Of The Inferno - 973 Words

The author for any given work with the intent of consumption by the public eye absolutely must understand and cater to the desired audience. As a failing to understand to whom they are speaking, will inevitably yield the many painstakingly spent hours of their work lacklustre in comparison to what it might have been. Had Dante not come to understand this paramount truth of literature, surely we would not be dissecting the hundreds of translations that exist. The foresight of writing in commonly understood language is one of the most crucial attributes of Dante s work. In the time of Dante it was the every day individuals of Italy that would consume La Divina Comedia and It was the every day individuals that would ultimately preserve it for the centuries to come. Among the various translations that we have yet seen there are two that predominantly stand out, as they represent the two core pillars of Dante s original work. The first represents the philosophy of the inferno and the la tter stands tribute the the artwork that was the inferno, both are presented by Mark Musa and Mary Bang respectively. With the intent of bringing Dante s core message to the reader, Mark Musa has carefully reconstructed the inferno in such a way so as to enable relative ease of consumption for the modern day reader with minimal intrusion into Dante s writing. Musa additions to the inferno are implemented so as not to distract from the text and allow for a mostly understandable experienceShow MoreRelatedThe Divine Comedy1705 Words   |  7 PagesThroughout the Middle Ages, art and philosophy has been lost in darkness, but with the reintroduction of ideas that came with the Renaissance in Italy, brought about a literary revival. One of the writers that influenced this revival is Dante Alighieri, a 13th century poet from Florence, Italy. 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